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THE BOOK OF MICA
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WAREHOUSE EDGER VASE
edger vase in white glazed ceramic Image 1 of 6
edger vase in white glazed ceramic
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edger vase in white glazed ceramic
edger-round.jpg
edger-vase-by-micah-heimlich-3830.jpg
edger-vase-by-micah-heimlich-6014.jpg
edger-vase-by-micah-heimlich-6805.jpg
F-mark.jpg

EDGER VASE

$495.00

EDGER VASE
GLAZED CERAMIC IN WHITE

EDGERS are hand-crafted glazed ceramics in the Memphis style (21 x 5.3 x 7 ins. each). They can function either as individual vases, or be combined to form floor sculptures or circular table centerpieces for festive occasions. Each has a unique configuration of openings. Custom colors and quantities are available.

Quantity:
Add To Cart

EDGER VASE
GLAZED CERAMIC IN WHITE

EDGERS are hand-crafted glazed ceramics in the Memphis style (21 x 5.3 x 7 ins. each). They can function either as individual vases, or be combined to form floor sculptures or circular table centerpieces for festive occasions. Each has a unique configuration of openings. Custom colors and quantities are available.

EDGER VASE
GLAZED CERAMIC IN WHITE

EDGERS are hand-crafted glazed ceramics in the Memphis style (21 x 5.3 x 7 ins. each). They can function either as individual vases, or be combined to form floor sculptures or circular table centerpieces for festive occasions. Each has a unique configuration of openings. Custom colors and quantities are available.

These ceramics occupy the middle ground between fine art and functional design. Concrete edgers litter suburban gardens, but when transported indoors they transform our “living landscape” into the defensive space of a traditional “man’s castle.” As Werner Hoffman writes, “I suspect that in crenellation we have the basic figuration or prototype of the regularity that makes our housing estates, business premises, and office blocks both aggressive and defensive, in equal measure. From this lining-up there at length evolved the coordinate system of vertically and horizontally aligned zones of windows and, as a final result, the grid of curtain wall which dispels the external distinction between wall and window. The formal convention is impenetrable from without, and within its coordinates tolerates no contradiction or departure from the pattern: everything is ‘all smooth.’

Designer: Micah Heimlich, 2019, featured in show Domestic Disturbance with Antoinette Adams

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